![]() For the first glorious ‘kerrang’ I wanted the gain up a bit, so up it went to 6 on the dial. I bet the DSM's eq and gain settings as I found them were where the prior owner had them: Bass 6 (number, not o’clock), Mid 6, Treble 6, Master 2, Gain 4, 3 way switch to bottom (mid gain). Guitars used were a Warmoth build Jazzmaster with Curtis Novak JM90 and JM-Vintage (neck) pickups and a 1990’s Gibson Les Paul Standard with Seth Lover PAFs. In my home, I have an Egnater Tweaker open back cab loaded with a Celestion G12H30 Anniversary. ![]() I don’t know my Phrygian from my Lydian, so to speak. I don’t and can’t shred but my guitar skills align more closely with the Adam Franklin, Johnny Marr style, more chordal with leads. To gauge the value of my opinions, I’ll provide the following: 39 yrs old, playing since 13, in bands since 15 (continuously for the most part), and heavily into the recording engineering and mixing aspect (not professionally) for 10 yrs, having released 4 EPs with my current band. Spoiler alert – I’m absolutely thrilled with this amp. Last night, I was able to put the amp through its paces with two cab setups, both in home and at rehearsal space, using a variety of guitars and effects. I exhausted the internet for the last couple months to make a halfway informed purchase and, with and opportunity to pay $200 less than new I pulled the trigger. Thankfully, the misses worked from home and was able to sign for delivery of my new (barely used, buy) Friedman Dirty Shirley Mini. *Edit - forgot to include 'Mini' in the Title.
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